I am a Beirut-born scenographer, artist-theorist and ancestral futurist. I work through craft, ritual, and emergent technologies as living materials from Beirut and Brooklyn. I developed Quantum Craft™, , an entangled protocol shaped through craft, material cognition, and lineage, where I meet technological systems as mutable material rather than fixed destiny, and hold ancestral, ecological, artisanal, and synthetic knowledge in relation through Silk Road accumulation.

Trained in architecture and scenography at Central Saint Martins, and shaped by decades transforming environments across cultural and commercial contexts, I trace how lineage, provenance, and marginal knowledge persist inside dominant systems despite erasure, abstraction, and flattening. My projects work as living artifacts: mutable, circulatory, unfinished, following how memory and culture move through bodies, materials, and technologies.

I work through SAMARITUAL, mentors at NEW INC (New Museum), and speaks internationally across spatial, artistic, cultural, and technological contexts. My work is most often called in at moments of systemic transition, where dominant hierarchies fail and long-standing forms of cultural intelligence, historically dismissed, feminized, or rendered illegible, reassert their necessity.